Niña Pastori presents COLOR FANIA, the new album with which the artist from Cadiz delves into the universe of the legendary New York label Fania Records, responsible for transforming Latin music into a global cultural phenomenon and for making salsa a language of identity, memory, and celebration. Recorded between Miami and Spain throughout 2025 and 2026 and produced by Colombian CASTA, who has collaborated with artists such as Shakira, Ed Sheeran, and Alejandro Sanz, the album represents one of the most ambitious projects of her career, an exercise in reinterpretation that does not seek to imitate, but rather to engage in a dialogue with a fundamental repertoire in music history.

Thirty years after her debut, Niña Pastori once again challenges the limits of her own artistic language with an album born from honesty and curiosity, connecting two traditions that share a common root: flamenco and salsa. Both musical styles, born from cultural mixing and collective experience, understand emotion as a starting point and the voice as a tool to express what is felt.

In COLOR FANIA, this encounter becomes a narrative. A journey that starts in Cadiz—the singer's vital and artistic origin—and connects with the New York where salsa found its definitive form as a cultural and social expression. Two distinct contexts, united by the same impulse: the need to sing about life, identity, and the stories that transcend people.

To invoke Fania Records is to invoke one of the great musical revolutions of the 20th century. Founded in 1964 by Johnny Pacheco and Jerry Masucci, the label brought together the talent of artists such as Celia Cruz, Willie Colón, Héctor Lavoe, Rubén Blades, and Ismael Rivera, shaping a sound that transcended music to become a cultural and political symbol for entire generations.

COLOR FANIA is built upon this legacy: an album in which Niña Pastori revisits some of the most emblematic titles from the Fania repertoire from her own artistic truth, respecting the original essence but filtering it through her voice, her sensibility, and her flamenco roots. Songs like "Periódico de ayer," "El Gran Varón," or "Plástico" acquire a new dimension without losing their original strength, demonstrating that great compositions remain alive when they find new ways to be interpreted.

The result is a coherent and deeply emotional work, where each song is part of a larger discourse: that of music styles that recognize each other and engage in dialogue from authenticity.